I don't call myself an artist. Best to let others, the world, decide what to call you. I see myself more as a kind of interruptor. I like interrupting assumptions, expectations, and beliefs that inhibit the spirit of discovery. I want to find new ways of seeing and experiencing intimacy with the fertile void, source of all creation, and its hilarious offspring, the singing womb of the Poetic Imagination

My media-making journey began with tragedy. With the sudden death of my beautiful young daughter Zoe, in September of 1992, the worst thing that could ever happen to me, happened to me. Great losses sometimes come with great gifts and, this massive loss gifted me with vision. The eyes of my eyes opened. I saw "death" as an illusion, an intellectual symbol for fear, social control, and oppression. I saw through the lies of society and glimpsed the eternal cycles of Life. People come and go but Life itself continues. I saw how we are all, at essence, Love; I've seen true Love trump Death.

   
"The Oracle "
 (1993) and "Tragos" (2000) 

Waves of grief and epiphany guided the scripting and production of my first feature, THE ORACLE (1993), about a cynical patriarch whose granddaughter, Ariadne, appears in his dreams as a guide on his final night on earth. As my own cynicism withered I became inspired by my friend Rob Brezsny's ideas of the interface between dreamtime and daytime realities. Together, we wrote and produced THE DRIVETIME (1995), about a federal time-travelling librarian from the year 2023 returning to 1999 via the dreams of a Seattle video activist shooting police riots (this was made four years before Seattle's WTO riots). Five years later, I explored what I saw as a contemporary tragedy in TRAGOS (2000), a cyber-noir witch hunt tale about a fundamentalist Christian attourney who naively assumes that an urban tribe of technopagans is actually a 'satanic suicide cult'. 

x
"Hysteria" (2002) and "Under a Shipwrecked Moon" (2003) 

The racial profiling immediately following the 9/11 attacks outraged the making of HYSTERIA (2002; written with Jakob Bokulich), about a Croatian Catholic soldier who mistakes a powerful hallucination for a visitation from the Holy Virgin Mary. On my fiftieth birthday, I returned to my Finnish roots in UNDER A SHIPWRECKED MOON (2003), where a Finnish-American family visits their hospitalized, comatose patriarch whose true love keeps appearing in his dreams. I have known women at the crossroads between sacrificing their lives to Art or Motherhood which inspired the central drama of THE GREATER CIRCULATION (2005), a poetic docufiction set in present-time Berkeley and in Paris 1908 -- where poet Rainer Maria Rilke transforms his grief over the sudden death of his friend, artist Paula Modersohn-Becker, into his epic prose lament, "Requiem for a Friend". 

 xhermes
"The Greater Circulation" (2005) and "The Invisible Forest" (2008) 

The atrocious politics of fear and terrorism triggered the making of my anxious X-mas comedy, THE MIND IS A LIAR AND A WHORE (2007), about a quirky Berkeley household on the slippery slopes between actual and perceived threats during an alleged bioterrorist attack in their city. My sense of enchantment was finally restored in THE INVISIBLE FOREST (2008) as an insomniac theatre director (whom I portray) attempts to resurrect the magic theatre of French Surrealist Antonin Artaud, a film demanding a two-year recovery period before I was able to make my next one,  TO DREAM OF FALLING UPWARDS (2011), a zany occult thriller about an urban sex magickian who asks a Castaneda-style desert witch to help him excorsize a his curse. 


"Flamingos" 
(2012)

Leaving the twisted and convoluted occult world behind, I was ready for a smaller more intimate story which I discovered in my outlaw romance noir, FLAMINGOS (2012), a dizzy cocktail chaser of crime, metaphysics, and amour fou. The delirium of high romance can be intoxicating, addictive, and even dangerous. I wanted to explore a higher love which I discovered in the making of THE BOOK OF JANE (2013), about three women of different generations who attempt to embody the ancient values of pre-Hellenic goddess worship in the contemporary setting of a university campus.

janealice&colette
  "The Book of Jane" (2013) 

Between productions and tours I am in recovery mode doing next to nothing, watching films by my favorite filmmakers and/or immersing myself in the asocial group ritual dynamics of paratheatre, a process that often inspires seed visions for my next movie. Paratheatre has been my "yoga" since 1977. Between 1992 and 2012, four video documents were made to show the various facets of this unique medium: ARCHAIC COMMUNITY (1992), CRUX (1999), ORPHANS OF DELIRIUM (2004) and DREAMBODY/EARTHBODY (2012). I also wrote a book outlining the techniques and principles of this work entitled, "Towards an Archeology of the Soul" (Vertical Pool, 2003).

 


"Dreambody/Earthbody" (2012)

Between 1991 and 2001, I crafted about a dozen short works including LILY IN LIMBO (1996; with Sylvi Alli), ROADKILL, (2001) and more abstract "videopoems" using text by Rilke, Neruda, H.D., Rimbaud, Plath, Tzara, & others.  With the exception of my short works, most of what I have done has been highly collaborative and would never have happened without the talent, skill and energy of many others. I am especially grateful for the support of my wife, the multi-talented singer/composer/actress, Sylvi Alli (since 1990) and the impeccable skill of my film editor, Chris Odell (since 2000). 

 

fears xlimbo
VideoPoems: "Fears" (2001) and "Lily in Limbo" (1996)

So far, all my movies have been self-funded and/or co-produced with my peers. I don't see the point in applying and waiting for corporate grants or studio funding when I can start work right away. Not including the time it takes to raise funds, each movie typically takes six to twelve months from concept to final cut. After ten years of submitting my work to film festivals with zero success, I have chosen the more gratifying option of touring my movies at west coast arthouses and universities. These public screenings gain promotional support by critical reviews at filmthreat.com, sittingnow.co.uk and mindjack.com. My movies are also available on dvd at this webpage and can be booked by event producers here.

Of course, I would like my work to achieve more exposure. Until then, I continue making the movies I want to make and setting up screenings in receptive venues. Persistence has its own pay off. What is success to me? Zero compromise. What is the purpose of money? To fund my next project. What is the true nature of fame? Grease for the publicity machines. Love? What makes life worth living. Truth? Everything beyond advertising. And God? Everything beyond that.

truly,
ANTERO ALLI
e-mail

 


I.M.Db., Filmography, Bibliography, Paratheatre

 


Antero Alli (Wiki-bio)

IMDb Profile
Internet Movie Database

Filmography
since 1991

Bibliography
since 1986

Paratheatre
since 1977

 


Trailers, Clips, & Reviews




"The Book of Jane" (2013; 120 min.)
click image to watch a 5-min. excerpt

"The Book of Jane" reviewed (2013)
by Phil Hall, filmthreat.com (5 stars)

The Book of Jane" reviewed (2014)
by Charles Tatum, hollywoodbitchslap.com (4 stars)



"dreambody/earthbody" (2012; 80 min.)
click image to watch a 6-min. excerpt

"dreambody/earthbody" reviewed (2013)
by Phil Hall, filmthreat.com (3.5 stars)
 
"dreambody/earthbody" reviewed (2013)
by David Finkelstein, filmthreat.com (4 stars)


 
"Flamingos" (2012; 90 min.)
click image to watch a 3-min. excerpt


"Flamingos" reviewed (2013)
by David Finkelstein for filmthreat.com (4 stars) 

"Flamingos" reviewed (2012)
by Phil Hall for filmthreat.com (4 stars) 

"Flamingos" reviewed (2012) 
by Ken Eakins for Right Where You Are Sitting Now (U.K.) 

"Flamingos" reviewed (2012)
by Mike Everleth for BadLit: Journal of Underground Films 


 
"To Dream of Falling Upwards" (2011; 120 min.)
click image to watch a 3-min. excerpt


"To Dream of Falling Upwards" reviewed (2011)
by David Finkelstein for filmthreat.com (4 stars)

"To Dream of Falling Upwards" reviewed (2011)
by Phil Hall for filmthreat.com (4.5 stars)

"To Dream of Falling Upwards" reviewed (2011)
by Ken Eakins, Right Where are Sitting Now 



"The Invisible Forest " (2008; 111 min.)
click image to watch the trailer 


"The Invisible Forest" reviewed 
(2010)
by David Finkelstein, filmthreat.com (4-stars)

"The Invisible Forest" reviewed (2008)
by Cedrus Monte, Jungian Analyst. Zurich, Switzerland

"The Invisible Forest" reviewed (2008)
by Erik Davis, author. San Francisco CA. 

"The Invisible Forest" reviewed (2008) 
by Ken Eakins for Right Where You Are Sitting Now (U.K.) 



"The Mind is a Liar and a Whore " (2007; 91 min.)
click image to watch the trailer 


filmthreat.com
(2012) 
"Mind is a Liar & a Whore" reviewed by David Finkelstein (4 stars)



"The Greater Circulation " (2005; 93 min.)
click image to watch an excerpt 

filmthreat.com (2014) 
David Finkelstein's review of "The Greater Circulation" (4 stars)

filmthreat.com (2005) 
Phil Hall's review of "The Greater Circulation" (5 stars)

mindjack.com  (2006)
Jesse Walker 's review of "The Greater Circulation" 

Rilke from a Jungian perspective (2008) 
Cedrus Monte's review of "The Greater Circulation"




"Orphans of Delirium" (2004; 83 min.)
click image to watch an excerpt 

filmthreat.com (2010)
"Orphans of Delirium" reviewed
by David Finkelstein (4-stars)


 
"Under a Shipwrecked Moon" (2003; 96 min.) 
click image to watch the trailer 


filmthreat.com
(2003)
Phil Hall's review of "Under a Shipwrecked Moon" (3 stars)

University of Irvine (2004)
Christina Nersesian's review of "Under a Shipwrecked Moon"

New World Finn (2004)
Harri Siitonen's review of "Under a Shipwrecked Moon"




"Tragos" (2000; 105 min.) 
click image to watch an excerpt 


filmthreat.com
(2001)
Phil Hall's review of "Tragos" (four stars) 

Reason Magazine  (2001) 
Jesse Walker's story & review of "Tragos"

New World Finn (2002)
Harri Siitonen reviews "Tragos" & "Hysteria"



"Hysteria" (2002; 83 min.) 
click image to watch the opening scene 


filmthreat.com 
(2002)
Phil Hall's review of "Hysteria" (five stars) 

mindjack.com (2004)
Jesse Walker's review of "Hysteria" 

Sacramento News & Review (2002)
Jackson Griffith's review & story of "Hysteria"



"Roadkill" (2001; 27 min.) 
click image to watch an excerpt 


filmthreat.com   (2001)
Phil Hall's review of "Roadkill" (4 stars)


"Mouvement" (2001; 4 min.) A VideoPoem; text by Arthur Rimbaud
click left image to view "Mouvement" in its entirety
"Lily in Limbo" " (1996; 27 min.) A PoetryFilm; text by H.D. 
click right image to view an excerpt from "Lily in Limbo" 


filmthreat.com review of VideoPoems 
(2010)
VideoPoems Review by David Finkelstein (4 stars)

East Bay Express (2001)
Kelly Vance's review of Alli's Videopoems


"CRUX" (1999; 80 min.) 
Click either image to watch an excerpt


EAST BAY EXPRESS
(2009)
Story on CRUX by Anneli Rufus

TRIP Magazine reviews CRUX  (2001)
CRUX reviewed by Scott O. Moore


"The Drivetime" (1995; 85 min.) 
Click image to watch an excerpt


Wired Magazine and Pacific Film Archive
(1996)
Two separate reviews of "The Drivetime"

Seattle Rocket (1995) 
Teresa Parks review of "The Drivetime"

Jacksonville Film Journal  (1995)
Brian Matherly's review of "The Drivetime"

 

 


Media Stories and Interviews

 


"The Invisible Forest" (2008)

CineSource
Story by Doniphan Blair (2012) 

San Jose MetroActive 
Story by Gary Singh (2012) 

Artship Video Interview 
by Slobodan Dan Paitch (2003)

Bad Lit: Journal of Underground Films
by Mike Everleth (2008- 2012)

"A Deliberate Disorientation of the Senses"
Antero discusses "The Invisible Forest" (2008)

San Francisco Chronicle (1/25/07) 
Reyhan Harmanci on "The Mind is a Liar & a Whore"

"The Encyclopedia of Underground Movies"
Interview from the book by Phil Hall (1999)




Venues & Bookings


 

VENUES THAT HAVE SCREENED ANTERO ALLI FILMS 

NORTHWEST FILM FORUM (Seattle), UC IRVINE (Irvine CA), PACIFIC FILM ARCHIVE (Berkeley), MILLS COLLEGE CONCERT HALL (Oakland), FINE ARTS CINEMA (Berkeley), RED VIC MOVIEHOUSE (S.F.), PICKFORD CINEMA (Bellingham WA), DIVA CENTER (Eugene OR), CELLspace (S.F.), A.T.A. GALLERY (S.F.), PARKWAY SPEAKEASY THEATRE (Oakland), HOLLYWOOD THEATRE, (Portland), CLINTON ST. THEATER (Portland), GUILD (NW Film Center, Portland), 911 MEDIA ARTS (Seattle), CREST THEATRE (Sacramento), RED POPPY ART HOUSE (S.F.), BERKELEY ART CENTER (Berkeley), ROSE THEATRE (Port Townsend WA), ABUNDANT SUGAR (Los Angeles), 21 GRAND (Oakland), OAKLAND BLACK BOX (Oakland), DANZHAUS (S.F.), THE JAZZHOUSE (Berkeley), LIVE OAK THEATRE (Berkeley), LA PENA (Berkeley), ARTSHIP (Port of Oakland), MAGIC THEATRE (Nevada City), I-GONG (Seoul, S. Korea), FINNISH BROTHERHOOD HALL (Berkeley), MIDNIGHT SPECIAL (Santa Monica), VELVET ELVIS ARTS THEATRE (Seattle), COLOURBOX (Seattle), JUPITER CAFE and BLAKE'S (Berkeley), WEATHERED WALL (Seattle), GRACE NORTH CHURCH (Berkeley), ILLUSEUM (Amsterdam, Netherlands), THE HUMANIST HALL (Oakland), ANNO DOMINI GALLERY (San Jose), SUBTERRANEAN ARTHOUSE (Berkeley), THE LOST CHURCH (San Francisco), CLOUD 9 (Berkeley), BERKELEY ARTS FESTIVAL (Berkeley), THE DREAM INSTITUTE (Berkeley), EAST BAY MEDIA CENTER (Berkeley), UNIVERSITY BOOK STORE (Berkeley), SANTA CRUZ INSTITUTE OF CONTEMPORARY ART (Santa Cruz), BOLINAS COMMUNITY CENTER (Bolinas)

UPCOMING SCREENINGS 
Almost Always on the West Coast (from Santa Cruz to Seattle)

THE AUDIENCE FOR ALLI FILMS
Where and How to See Them

ON BOOKING THESE MOVIES
Screening Packages for Event Producers 



The Creative Process, Inspirations & Influences



 

I never storyboard. I enter each shoot with notes, a script that's
always riddled with holes, and the necessary gear. Then, I open my
perceptual apertures to scan the on-site conditions (natural lighting,
contours of space, actors' states, etc) for anything that might upstage
my plans with greater truths.
- Antero Alli


ON THE CREATIVE PROCESS

A Cinema of Otherness
On Subverting Mainstream Values & Standards

Notes on the Muses Dialogue
The Singing Womb of the Poetic Imagination



INSPIRATIONS & INFLUENCES

CINEMA
TARKOVSKYBRESSON, HERZOGCASAVETTESCOCTEAU, FELLINI,
JODOROWSKYWENDERSVON TRIER LYNCHKORINEMADDIN 

THEATRE
JERZY GROTOWSKI
ROBERT WILSON ULTIMA VEZ, MUMP & SMOOT
ANTENNA THEATRE
THE WOOSTER GROUPAMERICAN MIME THEATRE

MUSIC
SPACE TEAM ELECTRAARVO PARTANTONY AND THE JOHNSONS
TUXEDO MOON
LOOP!STATIONPAULINE OLIVEROSSYLVI ALLI,
GLENN BRANCAPHILIP GLASSFAUN FABLESLISA GERRARD

POETRY
ARTHUR RIMBAUDRAINER M. RILKEPABLO NERUDAGALWAY KINNELL,
WILLIAM BLAKEHILDA DOOLITTLESYLVIA PLATHEE CUMMINGS,
CZESLAW MILOSZCHARLES BUKOWSKIJIM CARROLLTRISTAN TZARA
ROBINSON JEFFERSW.B. YEATSCHARLES BAULDELAIRESTEPHANE MALLARME 

IDEAS
RAINER MARIA RILKEHAKIM BEYJAMES HILLMANJ. KRISHNAMURTI,
RAY CARNEYNOAM CHOMSKYGEORGES I. GURDJIEFFTIMOTHY LEARY,


 


contact points

ANTERO ALLI
PO Box 10144, Berkeley CA 94709 USA
voicemail: (510) 464-4640
e-mail


Follow Antero Alli on Twitter
@antero1111

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